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55.

p. 34

ELEMENTS OF PERSPECTIVE.

All objects transmit their image to the eye in pyramids, and the nearer to the eye these pyramids are intersected the smaller


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will the image appear of the objects which cause them. Therefore, you may intersect the pyramid with a vertical plane  29 which reaches the base of the pyramid as is shown in the plane a n.


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The eye f and the eye t are one and the same thing; but the eye f marks the distance, that is to say how far you are standing from the object; and the eye t shows you the direction of it; that is whether you are opposite, or on one side, or at an angle to the object you are looking at. And remember that the eye f and the eye t must always be kept on the same level. For example if you raise or lower the eye from the distance point f you must do the same with the direction point t. And if the point f shows how far the eye is distant from the square plane but does not show on which

p. 35

side it is placed--and, if in the same way, the point t show s the direction and not the distance, in order to ascertain both you must use both points and they will be one and the same thing. If the eye The relations of the distance points to the vanishing point (55-56).f could see a perfect square of which all the sides were equal to the distance between s and c, and if at the nearest end of the side towards the eye a pole were placed, or some other straight object, set up by a perpendicular line as shown at r s--then, I say, that if you were to look at the side of the square that is nearest to you it will appear at the bottom of the vertical plane r s, and then look at the farther side and it would appear to you at the height of the point n on the vertical plane. Thus, by this example, you can understand that if the eye is above a number of objects all placed on the same level, one beyond another, the more remote they are the higher they will seem, up to the level of the eye, but no higher; because objects placed upon the level on which your feet stand, so long as it is flat--even if it be extended into infinity--would never be seen above the eye; since the eye has in itself the point towards which all the cones tend and converge which convey the images of the objects to the eye. And this point always coincides with the point of diminution which is the extreme of all we can see. And from the base line of the first pyramid as far as the diminishing point

 30


Footnotes

34:29 4: Pariete. Compare the definitions in 85, 2-5, 6-27. These lines refer exclusively to the third diagram. For the better understanding of this it should be observed that c s must be regarded as representing the section or profile of a square plane, placed horizontally (comp. lines 11, 14, 17) for which the word pianura is subsequently employed (20, 22). Lines 6-13 contain certain preliminary observations to guide the reader in understanding the diagram; the last three seem to have been added as a supplement. Leonardo's mistake in writing t denota (line 6) for f denota has been rectified.

35:30 : The two diagrams above the chapter are explained by the first five lines. They have, however, more letters than are referred to in the text, a circumstance we frequently find occasion to remark.


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